Welcome to My Storefront

Have you checked out my storefront on Gumroad lately? You can hire me as a consultant; buy a signed copy of my memoir, Data Baby, My Life in a Psychological Experiment; or download a copy of a short story I wrote.

Books I Read: The Road - A Graphic Novel Adaptation

I was really looking forward to reading this graphic novel adaptation of Cormac McCarthy’s The Road by Manu Larcenet, and I was equally disappointed. The book looks impressive: Hardback! Generously sized! Nicely printed! But the contents amount to a grim, underwhelming, forced march (ha!) through a hellscape that reduces McCarthy’s brilliant novel into snatches of dialogue that amount to nothing. Where is the literary-ness? Where is the lyricism? Where is the new thing ideally produced when a work is adapted into another form? Not here. I’m not fundamentally opposed to graphic adaptations of literary works—I loved Brad Ricca and Courtney Sieh’s artful adaptation of Nellie Bly’s Ten Days in a Mad-House—but this ain’t it.

Books I Read

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Books I Read in 2024: Shine Shine Shine

I reread Shine Shine Shine by Lydia Netzer. Full disclosure: Lydia is my dear friend. Other full disclosure: This book is an absolute marvel. I love everything about this book: its lyrical prose, its daring and fearless tackling of Big Things (Life, Death, Reproduction), its insistence on what could be called optimism in the face of the chaos that is the universe. Sunny is bald! Maxon is going to the Moon! Bubber is hitting his head! And let’s not forget about the baby that’s coming or the double-life of Les Weathers. I highly, highly recommend.

Books I Read in 2024: Victory Parade, I Hate Men, My Friend Dahmer, The Crying of Lot 49, Machines in the Head, Big Magic, The Valley, End of Active Service, An Honest Woman, The Money Shot, Atomic Habits, Finding Your Own North Star, Crazy Cock, Sigrid Rides, Your Money Or Your Life, The Big Sleep, Eventually Everything Connects, Smutcutter, Shine Shine Shine, A Serial Killer’s Daughter, Confessions of a Serial Killer

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Fuck You, Pay Me #17: How to Write a Short Story

This is part 17 of “Fuck You, Pay Me,” an ongoing series of posts on writing, editing, and publishing.

Recently, I wrote a short story. I’ve written short stories before; I even published a collection of short stories. Last year, I had a terrible time working with a big publisher on my memoir. In the wake of that negative experience—a bad editor, incompetent PR and marketing, the inability to control the outcome—I set out to reclaim my relationship to writing. When I wrote under contract with a big publisher, I lost my identity as a writer. What I wanted to do was reclaim who I was as a writer. I decided to start with a short story.

The Idea. Back in June, I visited the set of an adult movie for a story I was writing for Forbes.com. As I drove east to the location, I wondered how this time would be different from the last time. The first time I was on an adult movie set was 1997. Now it was 2024. I was a different person and exactly the same. As I stood on the porn set in a building where one would not expect to find an adult movie being filmed, I thought about how much older I was than I had been nearly 30 years ago on that first porn movie set I’d visited. In a way, I felt self-conscious about that; after all, porn is a business built on surfaces, how things look, the appearances of things. At the same time, I felt like with maturity, I could see what was in front of me more clearly: the players, the scene, the spoken and unspoken dynamics at play.

Sometime after that porn set visit this summer, I got an idea for a short story I wanted to write. While I’ve written a wide range of fiction, I thought this time I would try writing a short story that was about a subject of interest to me (the adult movie industry) and was stylistically something more traditional than, say, some of my other fiction writing. In other words, it would be a short story of the sort you might see published in The New Yorker—that just so happened to be concerned with the porn business.

My short story would about a man who was older, whose back hurt, and who discovered one day that an adult movie was being shot in the house behind his. (In the real San Fernando Valley, houses are occasionally rented for adult movie shoots.) And with that, I was off and running.

Stewart by Meta AI

The Details. The story would be called “Topical Matters.” Or “The Scopophiliac.” Or “Van Nuys.” Ultimately, I settled on “Topical Matters.” It would be around 5,000 words long, which was around how long some of the short stories published in The New Yorker in recent years were (although some were quite a bit longer). It would be inspired in part by “The Swimmer,” John Cheever’s 1964 short story classic in which a seemingly ordinary man attempts to swim home through backyard swimming pools in a seemingly ordinary suburb. The main character would be named Stewart, and his wife would be named Maureen. He would be retired, and he would be very interested in controlling his environment. The style of the story would be realism with a twist. The entire course of events would take place in a single day.

I estimated it would take me approximately two weeks to write this story. A week, maybe. Of course, it ended up taking longer than that (life got in the way, so it took about two months from start to finish to write). In a manner of speaking, the story itself would be irrelevant. The only thing that mattered when I was writing it was: Am I having fun? If I wasn’t, I wouldn’t do it. I hadn’t enjoyed writing a memoir under contract, working with a big five editor who did not seem to know how to edit, to attempt to tell the story of my life according to someone else’s idea of what that looked like. This story would be mine.

The Execution. Since I’d had such a shit time writing my memoir, I wasn’t sure if I could do the relatively simple task I’d assigned myself. I mean, it wouldn’t be easy, but I wasn’t even sure I could enjoy writing again. That said, I identified what I could do. I could write a 100-word paragraph. Couldn’t I? And what was a 5,000-word short story if not a series of, say, 100-word paragraphs? I would write one paragraph, and then I would write another paragraph, and that was how I would get there. The entire story would be comprised of five sections, each section some 1,000-words. That was doable, wasn’t it? Surely, it was.

And so it went. Some days I wrote a single 100-word paragraph. Some days I wrote several. At one point, I didn’t work on the story for several weeks. Eventually, though, I got back to it. I started falling in love with my main character, who I thought was hilarious. The premise amused me to no end, what this guy living this relatively normal life would do when he found himself encountering something rather remarkable. I envisioned the house. The yard. The wife. Her departure. How he came to discover that a porn movie was being shot in the house behind his. What his personal history in relationship to porn was. How he justified his curiosity, and what he found when he got there. I was Stewart, and Stewart was me.

The Shift. Somewhere along the way, things began to change. I started to feel more confident about my writing. I began to experience writing as play again (as opposed to work). I transformed into someone who wanted to write rather than someone who regretted what she had written. I was writing well, how I wanted to write, about what I wanted to write. Which seemed pretty ideal. The words kept coming, and when I didn’t get something, I waited for the insight to come. I talked to my shrink about the story. I woke up in the middle of the night and thought about my story. I wrote more and more, and as the end approached, I realized that writing for myself was where it’s at, not writing for someone else.

This process also enabled me to think more and in different ways about some of what I have experienced on adult movie sets over the years as a journalist. What was it like for the male porn star? How did the pornographer relate to his work? Why did the starlet say the things she said? Most centrally, I sought to capture what it was like to be on a porn set: curious, magical, dark, strange, disorienting, hilarious, perverse. As I neared the end, I felt I had captured that experience as best I could, not by nonfiction but by fiction.

The Product. A few weeks ago, on a Sunday, I finished editing my short story. Almost immediately, to my surprise, I was sad. Stewart wasn’t the most likable guy—he is stiff, uncompromising, judgemental—but I had liked him. For nearly two months, I had shared the intimacy of his inner-workings. I didn’t want to let that go. It would be the end of our relationship. I had my 5,000 words, give or take, but being done with the story meant letting it go, letting Stewart go, letting a world in which I was god go. But this wasn’t my first time at the short story rodeo, and I knew what I had to do next.

That day, I submitted my short story to about a dozen publications, The New Yorker among them. So far, I’ve heard from one publication, which declined it. In January, if no one has expressed interest in publishing it, I’ll publish it myself and sell it online. Right now, “Topical Matters” is a story looking for a home, some place that will embrace its main character and not reject it for its prurient leanings.

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You're a Bad Man, Aren't You?

This fictional short story was written by me and published on Exquisite Corpse in Spring/Summer 2002.

Oh, he was a bad man. He had been terrible since the day he was born, before even then perhaps. He had cried constantly as a small baby, masturbated obsessively as a young teen, and become the kind of man as an adult who only truly enjoyed himself when he was hurting other people. Now, he wanted to know, what was so wrong with that? 

This badness, after all, had taken him to where he was today, sitting in his car in an empty parking lot with the dog of his brain running in a circle on a chain in the yard of his mind. Because these days, he was King Shit of Turd Hill, a paid propagator of evil, a guy unabashedly enough in touch with his, well, bad, really, self, that he made a living off of it. He thought that perhaps everyone else would do well to go and fuck themselves.

He was a pornographer, and he was not ashamed. In fact, he was terrifically proud. He told those who stood around him while he worked that porn stars were like game pieces, and porn sets were like chessboards, and he was like the god who moved them around. He would add, after a pause, But in this game, somebody always gets fucked in the ass! And then he would laugh, and everyone else would laugh right along with him.

His life was hilarious, actually. Put that in your mouth, put this in your vagina, put the other thing up your butt. The variations were endless. It was their willingness that staggered his mind. The people in front of him were as malleable as freshly pulverized meat. Having been punched by their mothers, screwed by their fathers, and screamed at by their lovers, they stood limply before him and just did whatever he said.

What do you do when you have done it all? This was what he wanted to know today. Because living this life so pornographically, he had, of course, grown bored. He had started to lose that sense of doing something so wrong. He had found himself longing for that feeling of playing the roulette wheel. And that was the point at which he had begun to push at the things that were around him.

First, he had suggested that the men and women choke each other by the throat. Then, he had requested that they go to the bathroom on one another. After that, he had directed them to take more of each other inside of themselves than they were capable of taking. He added a midget, a plastic pig mask, and a shotgun. For a while, it had helped.

But eventually, the new bad would become as bad as the old bad, and that was never good enough for him. Being bad had always been a part of him, but somewhere along the way, it had overflowed the banks of his personality, and seeped throughout all of his private life, and taken over what he saw of mankind. He had got a little numb, really.

He had tried telling himself there were a finite numbers of holes in the human body, that there was a limited degree to which you could shove at someone before they zoned, that there was a maximum level of depravity to be reached where the playing field leveled out at the bottom of the pit. He tried telling a man who worked for him what was going on in his head, but the man only barked at him. Now, where would he go? He had no idea.

Because he had been raised on horror movies and practical jokes in the middle of a rotting house drowning in the racket of horrifyingly loud and overbearing women, and he did not want to go back to that way of life ever again. His mother and his sisters were the kind of morbidly overweight women who spat when they spoke, forever sweaty and smelling, upset in countless kinds of ways, and he still disliked all of them deeply for it.

Growing up in the midst of those females caterwauling around him, he had distracted himself with the newspaper photographs of fatal car accidents and the stories of famous serial killers. He had dreamed longingly of what it felt like when a man's head was torn from his body at 60 miles an hour. He had fantasized fervently about what a stalker saw while snuffing out another expertly bondaged woman beneath him. That was his escape.

He hadn't known his father, didn't care to. He hadn't talked much to his mother or sisters, didn't care to. But drunk in a bar one night at 23, he had overheard someone declare that pornography was the last, true frontier left in the modern world. And when he heard that, for the first time, he had felt a sense of motivation. So, he had moved to Hollywood.

He was married twice, during his decade-long tenure in the world of sex and smut. Both his ex-wives were also ex-porn stars, formerly beautiful women who had crawled out of the garbage bin of pornography and right into his wide-open arms, as if from their point-of-view that appeared to be some type of refuge. Neither marriage had lasted more than a year. He had a son he didn't see, didn't care to. He was alone. He liked that. He did.

Because what people did not understand was that his life had been like a fucking war. His whole long life, he had acted like a fucking general in a fucking war, and now, he thought, he wanted a fucking medal. What the fuck? he thought, slapping at his thigh in the car. Because there was no difference between what he had done and what the guys in 'Nam had done, really. His question: What happens when people do whatever they want? The answer: They kill each other. And the truth of pornography: Porn is hell.

Hadn't he dodged those flying shots, slid in the slime of other people's fluids, gotten close enough to the human body to see into the pink fleshiness of its gaping insides? Hadn't he carried a lucky charm for his own protection, hadn't he seen what most people wouldn't, hadn't it changed him forever and all that crap? I have Post Traumatic Porn Disorder, he said to himself in his car and laughed. Then, he thought, I want to go home.

He wondered if he was turning into the Lord of the Flies, if he should be muttering, The horror, the horror!, if he resembled John Holmes during the Wonderland murders. He felt like the driver in a car accident between a cock and a pussy, sporting a necklace made of human ears, his only award a double-kill. Those things lived in him, care of Porn Valley, USA. Welcome home, Fucker!

The funny part of it was that everything had started out so innocently. He had found a cheap apartment in Hollywood and bought himself a stack of porn magazines. He had made a friend—got to talking to the drug-dealer down the hall, actually, while getting high one day—and that guy had a friend who wrote porn scripts. He had never heard of such a thing before, but he had believed that he could write the greatest porn movie ever made.

He drove to the offices of a man who made adult movies, somewhere out in the San Fernando Valley. The guy looked like a loser, with his comb-over and saying he had been in the porn industry since before it was born. That was a turn-off. But behind the guy's desk, a locker door had hung open, vomiting out old porn scripts. And the guy had said, Hey, you wanna try making one of these fuckers? That was how it had happened.

He was scared shitless, the first day. An actress whose name he couldn't remember showed up two hours late, drunk. A guy sitting on a crate turned out to be the male talent. They started taking their clothes off as soon as he picked up the video-camera. He barely spoke a word. Forgot to focus. Most of the footage was awful. He loved it, regardless.

Because there was nobody telling him what to do—nobody, even, who knew what he couldn't do. And as long as there were two people, or three people—or better yet, four or more people—fucking in front of him, he couldn't hear the past banging around inside of his head at all. It was amazing how distracting real life could be when you were looking at what was in his face every day. This life, he thought at the time, It is very hypnotic.

But somehow, somewhere along the way, he had been dulled. Blunted by his own process, today, he feared, the thrill was gone. Two weeks ago, this great likelihood of this very possibility had sent him crawling back home to his mother's house, the only place where he knew things would be exactly the same as the day that he had left them. The first night there, he slept in his mother's bed with her, lay there listening to her breathing for four nights running. It wasn't sexual, but it had helped him comfort himself.

Sex, by then, held no meaning for him, anyway. Sex, he thought, down under the covers next to his sleeping mother, was the missionary position and doggie-style, and douches and enemas, and reverse-cowgirl and double-penetration, and anal and double-anal, and gangbangs and bukkakes, and take your clothes off, please, and bend over there, dear, and I need a little bit more of that, honey, and can you pop for me now, man?

There was nothing left for him, anyhow. For him, he thought, there was alcoholism, and the shooting gallery, and stuffing everything up his nose, and popping everything else in his mouth, and getting clean only to wind up fat around the gills, and realizing that if a man's first creation was his feces, then it made sense what he created was shit, so this was his manifest destiny, and his self-fulfilling prophecy, and it was, rightly, obscene.

You gotta love me!, he had thought, lying next to his sleeping mother, but he had wanted to cry. His mother always smelled to him of what he, himself, had smelled of for as far back as he could remember, but it was only when he was with her that he knew whatever bad thing he was, or would ever become, it began and ended with her. He had left the very next morning, before his mother woke up, for the first and last time missing her.

A long time ago, for him pornography had been like what he thought falling in love would be like. Girls with tiny ankles honorably armed in monster breasts. Guys with tan muscles bravely wielding huge cocks. They weren't just having sex, either. They were executing acts on his behalf. And it was as if he was right there between them when they did it, pulling them apart as they struggled to give him his shot. He had found it touching that they would let you get in there with them like that while they sweated.

Sometimes, it turned out, a girl would cry. She would be hopped up on meth, her suitcase-pimp would have bitched her out, she would be upset because everybody laughed when she did something embarrassing. (Farting, crapping, quiffing—the accidents of the female body were never-ending.) He would put his arm around her and say something about being sorry, or proud, or tell her everything would be fine in the end.

The guys, it turned out, were just as screwed up. They spent all of their time obsessing about the scars on their bodies, showing off the latest tattoo they had gotten that referred to the latest heartbreaker they had survived, so vain that it made them almost charismatic. (Those guys were ruled by their own penises, left to sit trimming at their own pubic hair.) He steered clear of them, but his heart went out to them over the distance, nevertheless.

For almost a decade, it had been just the three of them, no matter how many people were actually involved. A man, a woman, and him. The location had moved from warehouse, to townhouse, to apartment, but the triangle they formed was always there, in its constant and complete formation. And when the triangle stood up, he was on top. When it fell down, he sat in the corner. Now he couldn't stand in the middle to save his goddamn life.

Yoou've looost thaat loooving feeeling! That was what the radio had been screaming at him one week ago. On that morning, by 11AM, things had been going wrong already. His male porn star was AWOL. His female porn star, meanwhile, was piling on layers of lipstick on her mouth in the mirror, the radio wailing away at him from behind her.

He had gone into the back room, and he had tried to figure out what to do. That was when the P.A. had walked up to him and said, I can do it, his thumb hooked back over his shoulder toward the set. This particular P.A. wasn't one he had worked with before, but it wasn't unheard of that a production guy could turn porn guy in a pinch. The kid was young enough, if not that good-looking enough—a non-descript, longhaired, pocked-face, skinny white guy of the type that populated the Valley's houses around them.

Do you have a test? he said to the P.A. The kid took a piece of paper out of his back pocket and handed it to him. And when he had looked down at the piece of paper in the kid's hand, he had started to say something, but right as he did, the words fell away out of his mouth, and something had shifted, and he had looked back up at the kid and all of a sudden, not like some kind of a flash, but like some kind of something, he just knew, and the kid looked at him, and he looked at the kid, and there was something connecting what was between them, and whatever it was, it made his old bad look good in comparison.

What he had wanted to do was to lean into the kid's ear and whisper, Do it, because he got very dizzy in that moment that the two of them were making to go POW!, and he was scared that if he kept on looking at the kid, the kid's face would start turning around and around like a roulette wheel, and the red and the black numbers there would spin into a blur, and where the ball would stop, he did not yet know. For the first time in a long time, he had thought, This is living. And what he had said to the kid was, Yes.

He damn well knew, sitting in his car, the story that everybody wanted him to tell. And it went, My mother put me in a dress, while my father molested me, right after I had my first seizure, directly before I gutted my first pet, those many years prior to my first crime/torture/kill, which is longhand for saying, the bodies are under the house, I think/in the crawl space, from what I recall/out by the edges of the aqueduct, I do believe, but please!/God!/Lord!, Officer/Sir/Dad, don't send me to the gas chamber, nevertheless!

But the truth of the matter was that, whether you were a porn-maker, or a serial killer, or a gambler, your deepest desire was to control that which could not be controlled, and so other folks could chalk it up to the X-factor, or the XXX-factor, or the XY-factor, but what you were chasing after was all the same, and therefore whether you were looking through the lens of a camera, or down the double-barrels of a shotgun, or across a roulette wheel, you had to be vewy, vewy quiet while you were hunting humans, because the best thing about people was that they weren't easy, and that was what made them great game.

It had just so happened for him that along his life's path, he had discovered the world of pornography. And as it had turned out, this world was a total one, with its own language, population, commerce, and laws. And that made it the ideal playing field for extreme sportsmanship. Because when you work a system, the structures do their best not to fall down.

When he had looked down at the piece of paper that the kid had handed to him, he had thought he had recognized the kid's name. And that had set off a domino-like chain of thoughts inside his brain, and he had thought he had remembered someone leaning into him, months previous, and pointing a finger right at this kid in front of him, in some other place at some other time, and telling him, There is something very bad inside of that kid. And he had thought he remembered exactly what that bad thing was. But in porn, it had always seemed to him like there were a great many things that were better left unsaid.

That was what made it so easy, really, for him to pick up the camera when the girl walked on the set and stood next to the bed. That was what made it so simple, in fact, for the kid to come in behind her and stand waiting in the middle of the room. That was what made it so not hard, actually, for him to ignore whatever written plot-line had supposedly led them there. Because this, for once, was going to be his story now, and no one else's.

He had looked through the viewfinder, and he had found the girl. She was a C-level porn-starlet at best—blonde, and thin, and pale. She would have come into the business only recently, and she would make something like a dozen movies, and then she would be going right back to Fresno or Barstow or whatever dusty, outlying town she had emerged from. And she would never do better than this anyway. And she probably thought this would haunt her only if her stepfather saw her on one of his porno channels one day.

And maybe, he had thought as he turned the camera on her, she will be wrong about that.

Then, the boy and the girl had got it on. And that was how he had set his own ball of chance running through the world of porno. And where it would stop, nobody knew.

And yet, and yet, from that day to this one, he had started to feel, well, bad, really. But it wasn't like he felt guilty, or as if he had done something so wrong, or that all of it was all of his fault, or if he had done this, well, then maybe that, or like he had committed some kind of a crime. And it wasn't like he thought he was sexually strange, or erotically perverse, or romantically sadistic, or utterly without a heart. It was more like how he felt when he smelled garbage while he was driving down the freeway, or was caught masturbating by his mother, or spent too much time looking at himself in the mirror.

What do you do when you have done it all? He held his hands in front of himself, and he thought, If only these hands could talk, maybe they would have something to say. He looked out the windshield to the train tracks in the distance. God, what have I done to me?

Once upon a time, a male porn star had spent all of his time in the adult movie industry with a handmade, falsified HIV-negative test in hand, spreading himself willy-nilly across the eyes, and mouths, and vaginas, and anuses of the girls he had sex with on-camera. Today, who cared? Anybody could rent the video and watch while it happened.

The only thing left in its wake had been the endless, ceaseless roar of supply and demand, more names and titles rattling on into infinity, new guys and gals coming in through the OUT-door, nobody ever stopping to ask anyone else too loudly, Aw, now why'd you wanna go do a thing like that? Nothing, in the end, had proven more profitable than the human brain's ruthlessly industry. And these days, the population's immune-system was wearing down so fast that you slipped in the run-off every time you stepped in the street.

It was this smotheration of other people's desire that he had spent his whole life bearing. It was this arresting compulsion to meet everyone else's most graphic needs that he had found that he could not stop. Had it been so wrong to hope that he would become a better man along the way? It had turned out, though, that being perfectly bad did not bring a man's life full circle around to being perfectly good. Luck, it seemed, eluded him again.

In the car, for the first time, he closed his eyes, and he laid back his head.

All anybody will ever see of me are the flickering scenes of porn videos screening across my eyeballs, and all anybody will ever hear from me is an audio-loop of moans and groans coming out my mouth, and all anybody will ever say to me is, More, as they smack their hand into the windshield of my car as they crawl across the hood right towards me.

Inside his head, it felt like the dog of his brain was breaking off its chain, and now he could feel the dog climbing out of his head, and he could even hear it climbing onto the steering wheel before him, and he could already taste the clickity-clack of its toenails digging into the red and black squared numbers, and he saw when he opened his eyes that the dog was stepping up its pace because the dog was hungry, and what he realized right then and there was that, with or without him, the dog would run on forever, and it would never be sated.

So today, he had to ask himself, finally, You were a bad man, weren't you?, with the dog of his brain running on the wheel of his car, and he had to answer, in all honesty, Why yes, I was.

And then he stepped out of his car, and then he walked down to the train tracks in the distance, and then he stood there waiting for the next train to take him crisscrossing out across America. And he told himself, I will touch every good person I ever meet with my hands. And he wondered, as the rails began to vibrate at his feet, if he was contagious.

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Things in New Orleans That I Should Be Writing About Since I've Been Living Here for Six Weeks But Haven't Done So Yet

This story was written by me when I was living in New Orleans and published on Pindeldyboz in March 2004.

1. The Cat Riding on the Back of the Dog. Actually, I did not see this. A man I know who I talked to before I moved here saw this. I want to see it. I want to see a cat riding on the back of a dog, for no reason.

2. The Cab Driver Who Crossed Herself Every Time We Drove by a Church. What the hell? I grew up in Berkeley. I was born and raised to be an atheist. Who is this woman driving my cab and what is she doing? It is sort of romantic, I suppose. What it is designed to prevent or conjure, I have no idea whatsoever. There are churches everywhere in this city. Doesn't her hand ever get tired? I want to know this.

3. The Person Sleeping on My Doorstep. I felt no sympathy for this person, at the time of our encounter. I was drunk. I assumed the Sleeper was, too. I stepped angrily over the Sleeper's head to get in my door. I was not very careful. Every day, I try to find the time to feel bad about what happened. I have not been able to make the time yet.

4. The Mississippi River. This seems a necessary subject. Today, I may ride my bike out towards it. Maybe then, the muse will crawl up my ass as I bounce along the pavement running next to it. Or, I might get hit by a train on the way there. I can't make any promises. Last weekend, some anarchists with no deodorant gave me a sticker for my bike. It reads, "This Bike is a Pipe Bomb." Ol' Miss is not a pipe bomb.

5. The Things Men Call Me. Baby. Darling. Doll. Sweetie. Honey. Precious. Other names. Sometimes all these words in the course of one or two or three sentences. My favorite is Sweet Girl. I am, after all, not a Sweet Girl. I have a sour expression and a rotten attitude. They don't seem to care.

6. The Train. I love the fucking train. The wail of it. What do you call that? Its whistle. The sound is different here, I swear. More bleating, almost. The other day, I saw a big white bird with a giant wingspan and a long beak flying out across the train tracks. It hung out in the grass next to the train. I was on my bike. For a moment, I felt sad, looking at it.

7. The Mardi Gras Beads Hanging From the Trees. They are like a cliché wrapped inside the metaphor in which I now find myself living. They're like this city's answer to the outlying plantations' Spanish Moss. When I first moved to this place, I thought about living in what they call Slave Quarters. But, it didn't seem like a good idea. You know?

8. Ernie K-Doe Mother-in-Law Lounge. Writing about this bar would be pointless. No matter how many rocks I overturned in the corners of my head, I would never be able to find the right words. I could never come up with the correct number for all the paper stars hanging from the ceiling, or the proper adjective for the wooden figure of Poor Dead Ernie propped up in the corner, or the best phrase to guess at what the hell his widow is thinking when she hands me my fucking drink. To say it is an immortal shrine to a no-longer living legend would be like calling Bugs Bunny a rabbit. Or something.

9. The Paint. It's everywhere, chipping and flaking and peeling. If I were to become smaller, and eat some of it, maybe I would die. That has not happened at this time.

10. The Smell of Funk in My Bed in the Morning. God knows what the hell I dream about in this place. When I wake up, I feel so bad, I'm glad I don't remember. I get shitty coffee around the corner. When I come back, it reeks in my bedroom. My pillows are covered with whatever black primordial crap has oozed out of my ears while my brain was allowed to run off its leash. I don't know what it means. I don't want to.

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Cheever

At a certain point in the last year or so I bought a copy of The Stories of John Cheever. I believe I purchased it at one of my favorite used bookstores: The Iliad. I’m a Cheever fan; “The Swimmer” is one of my favorite short stories. Since I’m wrapping up writing a short story, and because recently a post on Threads asking about the last longest books followers had read got me thinking about the longest books I’ve ever read, I decided to read the Cheever book between now and the end of the year. It’s nearly 700 pages long, and it contains in the neighborhood of 60 short stories. In any case, I’ll share my thoughts about the book with my Books I Read series when I’m finished with it. (Some of the longest books I’ve ever read are The Tunnel by William Gass at 652 pages and The Stand by Stephen King at 1,472 pages.) The story I’m finishing writing is currently titled “Supernova” and is looking to be around 5,000 words or so when it’s done.

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C Is for Conjoined Twins

In the early 2000s, I was working on a project I called The Fetish Alphabet. It was a series of flash fictions, all named for the letters of the alphabet, each letter representing a fetish. Over time, I had various of those stories published on various literary platforms. In 2003, Born Magazine published one: “C Is for Conjoined Twins.” I don’t quite recall how it worked, but the idea was the site was coupling texts by writers with multimedia creators, and the text and multimedia were combined into one cool result. My story was turned into a Flash-based (I believe) … I don’t know what to call it but artwork sounds about right … by the French artist Rolito. Thanks to the Wayback Machine, you can see the interactive, animated original story here. (This interactive work is also cited in Donna Leishman’s “The Flash Community: Implications for Post-Conceptualism.”)

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Books I Read in 2024: Crazy Cock

Crazy Cock by Henry Miller is a crazy, lush, insane, over-the-top, experimental mess of a book. Love it, hate it, it doesn’t matter. This novel is too busy being crazy to care what you think of it. Come for the florid prose, stay for the onanstic subject matter, love the sometimes Joycean stylings. Would I recommend this book? Only if you’re tired of reading crap, and you’re in the mood for something radical, obscene, and, well, crazy.

Books I Read in 2024: Victory Parade, I Hate Men, My Friend Dahmer, The Crying of Lot 49, Machines in the Head, Big Magic, The Valley, End of Active Service, An Honest Woman, The Money Shot, Atomic Habits, Finding Your Own North Star, Crazy Cock, Sigrid Rides, Your Money Or Your Life, The Big Sleep, Eventually Everything Connects, Smutcutter, Shine Shine Shine, A Serial Killer’s Daughter, Confessions of a Serial Killer

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Spike

This fictional short story was written by me and originally published on Bending Genres in February 2020.

Tripp Towers, male porn star, sat on the bench, his penis in his hand. It was late afternoon, and his dick had been hard since that morning, when he’d injected it with the drug so he could get it up and get through the performance that he was about to do in the next room. They were supposed to start shooting hours ago, but things had gotten delayed, and now there was this problem with his equipment. It wasn’t supposed to stay this hard for this long. There was a word for it: priapism. If his boner didn’t go down soon, he would have to go to the hospital, and he didn’t want to think about what the doctor would do to him. Where the hell is Tripp? the director shouted. On the other side of the cinder block wall, there was a soundstage with a set that looked like a suburban living room: a shit-brown leather sofa, a glass-topped table upon which someone had placed a vase of plastic flowers, a worn rug of muddied colors. Tripp’s job was to stand up, go into that room, and have sex with the girl who was waiting for him. He couldn’t remember her name. Alisha. Amber. Ashley. At this point, they were all the same. Expressionless girls with flat eyes that scanned him and moved on to something more interesting: the paycheck that was coming, the tattooed boyfriend that was sulking, the life that they thought working here would buy them, which involved a condo and a couple of kids, a dream that, in all likelihood, would never happen, or at least not in the way that they hoped. A dozen years ago, Tripp Towers had entered the porn business. He had dropped out of a crappy state school in flyover country and boarded a Greyhound bus headed for Los Angeles, his suitcase packed with little more than his big plans of becoming a star. In Hollywood, he’d flashed his winning grin, showed the casting directors his six-pack of steel, and demonstrated his deep desire to please everyone he met. But he hadn’t been able to get a single acting job. Then he’d seen an ad for a cattle call in the San Fernando Valley, and when the guy in the wood paneled room in the second-story office asked him to drop his pants so they could take a Polaroid that would crop out his head entirely and feature his cock prominently, he did what the man said. The first time, he was afraid. It was just the three of them in the guest bedroom of a ranch-style house in Sunland, the girl was nice but a little bit older, and he had done what he was supposed to do while the guy with the grey ponytail had filmed them. As it had turned out, Tripp could pop on command. He was the money man. He could deliver. He was respectful to the girls, the work became steady, and over time it had seemed perfectly normal to be screwing girls to pay the rent as a camera that never blinked recorded everything you did. Now that version of himself seemed very far away, and the eye at the end of his member was staring up at him in what looked like judgment. Over time, the job had gotten harder to do with the entire crew watching, the budgets had gotten bigger, and the pressure had gotten greater. At the same time, he had gotten older, the girls had gotten colder, and the competition had gotten younger. So, he had done what every other guy in this business was doing: Recognizing themselves as the racehorses they were, they’d drugged themselves. They called guys like him spikers. That morning, he had sat on the edge of the toilet in his apartment and winced as he’d watched the tip of the needle penetrate his dick. This would keep him hard. This would keep the money coming. This would keep his life afloat. But the erection had stayed and did not want to go away, it had been many hours, and this was not a good thing. Had Tripp made the right life choices? his penis seemed to want to know. Tripp had no idea. He tugged at the throbbing gristle of himself. It was possible that if he did his job, the erection would stop. It was possible that if the boner refused to abate, he would have to go to the emergency room, where they would use a scalpel to let out the blood, possibly permanently damaging him. It was possible that this problem would never end, and he would spend the rest of his life following his erection around like an old man pulled down the sidewalk by a panting dog on a leather leash. Tripp! the director yelled. “Help me,” Tripp whispered to his penis in the chilly room. His dick said nothing. It was show time. He rose to step out of this place, to go into the other world, to transport himself to where the warm glow of the klieg lights would shine on him to see if he could man up while the whole world watched.

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H Is for Hardcore

This fictional short story was written by me and published in elimae in April 2004.

You'd think that porn would have helped. You'd think that porn would have made everything better. You'd think that porn would have seen that your life went as you had planned. You'd think that Barely Legal would have started you out on the right foot. You'd think that Stop My Ass is on Fire would have answered any questions you had along the way. You'd think that The World's Biggest Gangbang would have illuminated your path into adulthood. You'd think that American Bukkake would have demonstrated the importance of hard work. You'd think that The Vomitorium would have reminded you this was the life you always wanted. You'd think that Rough Sex would have explained you were still alive, no matter how you felt. You'd think that Perverted Stories would have made it clear there was no other route for you to take. You'd think that House of Freaks would have shown you what it was you were becoming. You'd think that Pink Eye would have opened your eyes to where it was you were heading. You'd think that Midget in a Suitcase would have illustrated just how little growing room you really had. You'd think that the coprophagy and bestiality tapes would have driven you out to find the girl of your dreams. You'd think that White Trash Whore would have gotten you to see it was time to finally settle down. You'd think that Gag Factor would have gotten you through the vows. You'd think that Ready to Drop would have made you want to start a family. You'd think that Golden Showers would have carried you through the darkest times. You'd think that Century Sex would have kept you company when everyone was gone and it was you and porn alone, at last. You'd think.

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Books I Read in 2024: Machines in the Head

Machines in the Head: Selected Stories by Anna Kavan is weird as hell. If you’re extremely dumb, allergic to unconventional modes of storytelling, or enjoy Colleen Hoover, this book is not for you. These stories are very dark, concerned with insanity, and unrelenting in their refusal to deliver the happy endings so many readers are obsessed with getting from books these days. If you’re awesome and smart, you’ll love it.

Books I Read in 2024: Victory Parade, I Hate Men, My Friend Dahmer, The Crying of Lot 49, Machines in the Head, Big Magic, The Valley, End of Active Service, An Honest Woman, The Money Shot, Atomic Habits, Finding Your Own North Star, Crazy Cock, Sigrid Rides, Your Money Or Your Life, The Big Sleep, Eventually Everything Connects, Smutcutter, Shine Shine Shine, A Serial Killer’s Daughter, Confessions of a Serial Killer

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Hey Doll

This fictional short story was written by me, published by Nerve in 2002, and republished in You’re a Bad Man, Aren’t You? in 2003.

She wondered if it was a good idea to date someone of whom there was a doll version. What if one of her girlfriends mailed the doll of him to her as a gag gift for her birthday? Maybe at some later point she would get mad and rip his head off and yank his clothes away and humiliate him in some obscene act of desperation. Then what?

She watched him on television. She watched him so much the show's theme song turned her on. When he came onscreen, she would smile at him and think, Oh, he is really funny, or, Wow, that is such a burden. She thought if she had the doll of him, he could sit on the couch right next to her, and by the end of the show his little plastic hand would be climbing up her shirt, headed straight for her boobs.

She told her girlfriend, who went to a bar he frequented, to invite her along one night. As it turned out, he must have liked her because he walked right up to her, and he said, Hey, do you want to go out with me sometime? She couldn't see his small eyes back behind his thick glasses, but she told him, Sure. Other men had told her, You are terribly intriguing, or, You are terrifically fascinating, but then couldn't think of anything else to say. This time, she thought, it would be different. With this one, the script had already been written.

For their first date, she went over to his house. He went off to the kitchen to get them a couple of beers, and she went to wait in the living room. There, she found four female sex dolls, sitting around on his furniture. She wasn't sure what to do, so she sat down next to one of them. She pulled at its rubber tongue, and it popped out in her hand. Luckily, she got the tongue back in before he came back in the room. Then, they drank the beer, and watched TV, and made out while the dolls sat around on the furniture, watching them.

Their relationship, such as it was, went on like that for a while. That was pretty much all they ever did. Once, they went bowling. After about a month like this, he broke down and told her what he really enjoyed was being beaten during sex. In his home-office, he showed her several oversized books filled with page after page of drawings of tall, angry women standing on top of men, beating them.

All of a sudden, before she knew it, he was naked down on the floor, and the bottom of her boot was across the back of his neck, and his tongue was on the top of her other boot, licking it, and she was shouting at him, You're licking my boot because that's the only thing that you're good enough to do! With one hand, she twisted his balls, hard. With the other hand, she smacked violently at his penis.

As she did it, it didn't turn her on, exactly. But the thought of someday standing next to his large swimming pool, holding the hand of his fat and round baby as it doddered around like a small and tiny version of him in its own pair of miniature glasses, while she staggered around half-drunk in high heels and a string-bikini with her lipstick smeared all over her frozen-on smile face, did turn her on. To her, that was a fantastic idea and everything she had ever wanted and a dream come true, all rolled into one.

Their relationship, such as it was, would involve him talking into his cellphone while they drove around, and him chatting with his agent as they dined out, and him laughing loudly with his friends across the back of the limousine they were riding in as, the whole entire time, she sat there right beside him, at his side. Living her life as if there was a camera broadcasting everything she did out to the world's peoples sitting bored in their homes metaphorically masturbating to her life would, surely, make her happy. Everything that had already taken place in her life before him would become like the blinding snow of a silent TV screen. It would be amazing what she could do when she lived on the other side of the fourth wall with him.

After things had been going along in this manner for about a month, they took a trip together to Las Vegas. At the airport, she watched as the crowds of people stood around staring at them like the people in Close Encounters of the Third Kind watching the aliens shuffle down off the spaceship. When they walked through the casino surrounded by the fleet of bodyguards, she knew that the people playing the slot-machines were jerking off their levers just for them.

But, late that night, in the privacy of their hotel room, when she looked up into the round mirror over the king-size bed in the Greco-Roman penthouse suite, the only thing she knew for sure was that he had just said to her, I do not like having intercourse, per se, all that very much, and within 4.6 seconds, she had thought, I can live with that, because that, she knew, was what the script had called for. There was, after all, no going back to auditions once you had won the part. It was hard, though, to know what to do when you found yourself hanging off the edge of the very page that you thought you had written.

The next morning, when she had finished hitting him for the umpteenth time, he looked up at her, and he said, Isn't this great? Behind him, The Mask of Zorro was playing on the TV, and Antonio Banderas was running back and forth in his black mask, waving his whip around wildly, raising his arched eyebrow up and down at her, as if in an erotic challenge. It was getting harder for her to upright her brain from the place it fell over when his bad edits in the reel of their life together knocked her over like a car that had gone off the road.

Back in the city, she found herself at the very last moment softening her blows to his erect penis. She discovered increasingly she could barely muster up enough energy to tighten his ball-gag as tight as he liked. She could hardly bring herself to raise the crop high enough above him to bring out the best welts on his pale bottom waiting below.

By the time her birthday came, he had stopped calling. Instead, a UPS man showed up at her front door with a brown box containing the doll version of him as a gag gift from her girlfriend. That night, she could hear the live-in studio audience in her head murmuring its displeasure, shuffling out the stage door, as she climbed in bed alone yet again.

When the phone had quit ringing entirely, she called her girlfriend, who had taken her to the bar that first night, and asked her to come over. Together, they made a collage out of pictures of him that they had cut from The National Enquirer. When it was done, he looked like a big, fat, crying baby. The next morning, when she looked at it again, she burst into tears, and then cancelled her cable TV service. The doll version of him, for its part, was already sitting headless in the back of one of her bathroom cupboards, the dust bunnies gathered all around it.

In the revised version of the story of her life, that she finally ended up writing, she never completely forgot that boyfriend or what he had meant to her or how hard she had been able to slap him across the face just to make him smile. But, eventually, she fell in love with another man, who was balding and who had never been on TV. With him, she learned how to pantomime true love to the degree that, sometimes, she thought she could hear a laugh-track playing in the background like applause while they had sex. And in the end, it turned out, that turned her on.

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All American Official Necking Team

This short story was originally published as part of the Significant Objects project in 2009/2010.

I reached my hand into the drawer, withdrew it, and looked at what lay in my palm. “ALL AMERICAN OFFICIAL NECKING TEAM,” the pin read. It was hard to reconcile the words with my father. At this point, he had been dead for nearly 15 years. After he had passed away, my mother and I had stood over the dining room table upon which sat a large box that contained what was left of him. Cremains, the man had called them. My father, I had longed to correct him. Thankfully, my mother had been willing to share what remained of him with me, his only son. My father was a skyscraper of a man — six-foot-five, Ozymandias hands, a brooding forehead — a great man, really — and so, he had left a great deal of himself behind. I dipped a teaspoon into the mound of his ashes and placed three or so tiny shovelfuls into a plastic bag. I fastened the bag with a twist-tie. I put the bag in a small wooden box that smelled faintly of the peach tea it had once held. Later, my mother handed me a bag of his things, which, to be perfectly honest, I had forgotten about — until today, when I spotted it in the back of the drawer, behind my wife’s underwear, and reached into the leather case and pulled the pin from it.

I imagined my father had won his place on the All-American Necking Team sometime during 1953, his senior year at Brooklyn Preparatory. I knew what he looked like back then from photographs: a young man with deep-set eyes undershadowed by dark circles, his long form gangly with the awkwardness of his youth, a thin tie knotted at the base of his bird-like neck. Once, my mother had told me about his penchant for drinking Zombies, about the time in the middle of a party, he had proclaimed, “I’m a tree,” and then fallen flat to the floor, how she had stolen him from another woman older than her, who had a child — and in the remembering, my mother had smiled. But that summer, his father, my grandfather, a frustrated CPA with a roaring temper fueled by an abiding love of Four Roses and the failures of the Brooklyn Dodgers, had fallen dead of a heart attack while taking the IRT subway to work one day, and my father’s life had changed forever. Instead of trundling off to some Ivy League college, he had stayed in Flatbush, enrolled at Brooklyn College, and dutifully taken care of his mother, a woman I’d never met, whose name was Rose.

Looking down at the pin staring up at me like a Cyclops, looking through this portal into a time wherein I was nothing but a flickering flash in one of my father’s constellation of neurons, I wondered who this all-star necker was: my father, a young man not unlike myself, or something else altogether — a man beyond my understanding now relegated to a past that lay on the other side of a bridge where the land was so dark that I could no longer see him.

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Go for a Ride

This is a photo I took yesterday at the wonderful Imagined Wests exhibit at the Autry Museum of the American West. The exhibit is about how the American West exists in the imagination in many forms, from art to movies to objects. Since the novel I’m working on that’s set in the adult movie industry is also about California and the twin myths of the American West and the American Dream, I found the exhibit very inspiring. In fact, it gave me an idea for an extremely important scene that appears late in the book.

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The Boy Who Wore His Heart on His Sleeve

This short story was originally published by A Shaded View on Fashion Fiction in May 2010.

She had been waiting forever, it seemed, for a boy like this one, who wore his heart on his sleeve. Now, here he was, sitting across from her in this dimly lit restaurant, his arm on the table. The exposed, bloody organ was attached to his sleeve with what appeared to be a safety pin. Across the table, he was looking at her expectantly, his head cocked slightly to the left, like a dog listening for a sound only he could hear, the right side of his mouth pulling up slightly, as if he was unsure what she was thinking. Judging by the tangle of threads unraveling around the gaping hole in his blue sweater where his heart should have been, he had carved himself open to retrieve it. On his sleeve, the heart was shaking and shuddering, straining against the pin’s grasp. They had found each other on an online dating site three days previous and met for the first time 17 minutes ago. Now, here he was, looking eager and hopeful, and it was up to her to figure out what was she supposed to do next. She looked at the boy uncertainly and tried to hurry up and decide what she was going to do about this boy and his still-beating heart before the angry waitress returned and demanded to take their order. Is it too late? she said. The boy’s face dropped. Late? he said. Too late to put it back? She nodded her head at the heart. Oh, the boy said, looking down at it. Slowly, the blood was seeping into his napkin. Soon, it would spill off the table and pool on the floor, making a mess. I don’t know, he said. The boy had no idea if he could singlehandedly un-pin his heart, stuff it back into his chest, and darn up the sweater in such a way that no one would ever know that he had stood in his kitchen in the fading light and removed his heart from his chest with a serrated steak knife, all for a woman whom he had yet to meet, a glowing collection of pixels that was her smiling out at him from the computer screen. It was too late to pull his arm off the table and put it in his lap. She would know what he was doing, and he would bleed all over his trousers. From somewhere behind him, he could hear the hard clanging of pots in the kitchen, the frantic barking of the chef, the buzz of other couples in love cooing at one another in the candlelight. Shit, he said, under his breath but loud enough that the girl would hear it. All of a sudden, he decided he had had enough. He reached over with his left hand and unfastened the safety pin holding his heart to his sleeve. Here, he said, taking his heart in his right hand. Standing up slightly, he leaned across the table and deposited the heart on the plate in front of the girl sitting across from him. The girl poked at the heart with her fork. Interesting, she said, sounding like a forensic pathologist. He had no idea what she meant by that, but he knew at that moment that if she would continue saying things like this while stabbing at his heart with the tiny tines of the silver fork in her hand, he could be with her and stay happy forever. In that moment, it seemed anything was possible.

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Fuck You, Pay Me #11: How to Be More Creative

This is part 11 of “Fuck You, Pay Me,” an ongoing series of posts on writing, editing, and publishing.

Lately, I’ve been working on my novel-in-progress, which I’ve mentioned previously, and which is set in Porn Valley. Previously, I had published and was promoting my memoir, so this was a change of gears, from nonfiction to fiction. As a way of strengthening my fiction muscle, I created a project. Originally, it was called 30 Days of Smut, and the goal was to write 30 sex-related (not erotica) flash fictions in 30 days. Pretty quickly, I fell off that pace, but I continued to write anyway. Ultimately, I revised the project to 30 Days of Smut and generated 30 flash fictions in a couple of months. The exercise was helpful. Why? I’ll explain.

STRUCTURAL

I don’t believe in that whole idea that if you do something for 10,000 hours, you can master it. I mean, c’mon. But I do believe that doing something repeatedly can be beneficial and perhaps more importantly it can take you to places you wouldn’t go otherwise. So, as I stated in my introduction, I set up an informal structure within which I would be creating. I broke my project down into 30 bite-sized steps. All I had to do was churn out a flash fiction a day, and I had accomplished that day’s goal. That went along swimmingly for the first few days, but then something happened; life got in the way, as they say. I have no idea what it was, and it doesn’t matter. I thought about quitting as soon as I failed to meet my daily quota for the first time. But I didn’t. Instead, I kept at it. I changed the title of my project to cross out the 30 (as in days) part, and then I was no longer failing at the project I had intended. Instead, I was succeeding at the project as I had re-imagined it. The first 10 stories are about a porn addict, an adult store mannequin, a male porn star, a phone sex operator, a voyeur, that voyeur’s voyeur, a sex writer, a dominatrix, an autocannibalist, a fan of the autocannibalist, and a male stripper. None of those people, their internal lives, their curious thought processes would have existed if I had given up. Here is a line that I like, from “#6: The Sex Writer,” who has a challenging dating life because of her job: “No one wanted to take her home to their mother and say, here is my new girlfriend, the one who writes about bukkakes and gangbangs and CGI futanari.”

CRITICAL

How long did it take me to write each approximately 150 to 250 micro-fiction? Not long. I’m pretty sure it was maybe 15 minutes at the most. I mean, it was probably more like 10 minutes maximum. I wrote the story directly on the webpage I had dedicated to the project. I drafted it straight through without stopping or thinking. Then I published it. After that, I went back into the CMS and lightly revised the story, not really changing it so much as cleaning it up. If the story wasn’t perfect or not up to some standard in my head, oh, well! It was done. Finally, I added a photo to accompany the story (each story is paired with one of my photographs). Mission accomplished. With every story, I was one step closer to my goal. This uncensoring-the-self aspect of the project was the most important component and the most additive to what I was doing at the same time: working on my novel. I wasn’t so much exercising my fiction muscle, I was starting to realize, as I was shutting off the critical part of my brain and giving the creative part of my brain room to run around and kick up its heels and get a little wild. Stories 11 through 20 are about an avatar, a robot, a cougar (I was watching the second season of “MILF Manor,” which is totally insane, and which apparently deeply affected me or at least gave me a rabbit hole to go down), that cougar’s cub, that cougar’s cub’s ex-girlfriend, that cougar’s cub’s ex-girlfriend’s father, that cougar cub’s ex-girlfriend’s mother, that cougar’s son, a vagina, and a penis. Here is a line that I like from “#19: The Vagina (After Frank Kafka’s The Metamorphosis)”: “One morning, when the unidentified woman who may or may not have been a writer of stories about sex woke from troubled dreams, she found herself transformed in her bed into a vagina.”

MAGICAL

Is writing a little bit magical? Maybe. On the one hand, doing this project was easy. Bang out a few hundred words. Post it online. Do the same thing the next day. One the other hand, it was hard. In all likelihood, I suspected, no one was reading any of them. Why bother? Also, why was I sitting around writing weird short fictions about people who had curious fetishes and bizarre sexual desires? Wasn’t this whole thing sort of embarrassing? There was a chatty person in my head—let’s call her Susan—who thought the whole thing was pretty dumb and pointless. But Susan isn’t much fun, is she? And what did Susan ever do? Her job seems to consist of sitting on the sofa and criticizing what other people are doing. In any case, I was able to ignore Susan and keep writing. And my novel kept getting better. Because I was reminding myself that writing isn’t a job or a task or a list to be checked; it’s imaginative play, it’s the self on the page, it’s your unbridled mind running with the bit in its mouth. Stories 21 through 30 are about a sex club, a group of robots, a husband, an inflatable woman, a donor, a fetishist support group, a dating app for anglerfish, an AI wife, a woman who watches extreme pornography, and an ER murse who, well, it’s a little strange. Here is a line that I like from “#22: The Robots”: “Still, the nighttime bangings and clangings and humpings continued, a symphony of clashing steel and rubbing metals, a chorus of robot lovemaking.”

In any case, you can read all the stories here.

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The Toronado

The main character of my novel-in-progress, which is set in the San Fernando Valley’s adult movie industry, drives a 1966 Oldsmobile Toronado, which is a favorite car of mine. I really liked watching this old ad for it.

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Books I Read in 2024: The Crying of Lot 49

I could make neither heads nor tails of Thomas Pynchon’s The Crying of Lot 49. It’s not like I don’t like literary experimentalism. I mean, I read Ulysses twice and cite it among my favorite books. But this book by Pynchon was beyond my grasp. The only part of it I liked was the part that took place in my hometown of Berkeley. From what I’ve read, Pynchon didn’t think much of this novella either so we’re aligned in that regard.

Books I Read in 2024: Victory Parade, I Hate Men, My Friend Dahmer, The Crying of Lot 49, Machines in the Head, Big Magic, The Valley, End of Active Service, An Honest Woman, The Money Shot, Atomic Habits, Finding Your Own North Star, Crazy Cock, Sigrid Rides, Your Money Or Your Life, The Big Sleep, Eventually Everything Connects, Smutcutter, Shine Shine Shine, A Serial Killer’s Daughter, Confessions of a Serial Killer

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The Soundtrack to My Writing Life (Yeah)

Lately when I’ve been working on my porn novel I’ve been listening to “Maps” by the Yeah Yeah Yeahs (2003).

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