Definitely / Definately
My favorite dictionary asked what word you’d respell if you could. My pick? Definitely = definately. [BuzzFeed]
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My favorite dictionary asked what word you’d respell if you could. My pick? Definitely = definately. [BuzzFeed]
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When you’re a porn star and your content gets pirated, who you gonna call? Takedown Piracy. Read it here.
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Really enjoyed The Last Showgirl. Pamela Anderson and Jamie Lee Curtis are wonderful. Sweet, atmospheric.
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Have you subscribed to my newsletter, The Reverse Cowgirl? The latest edition is out, and it’s a real good time.
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I wrote an appreciation of Pee-wee’s Playhouse and the late, great Paul Reubens for HILOBROW. Read it here.
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Alan Moore foresees the future of mobile phone pornography in 1982’s The Saga of the Swamp Thing #1, in which a man “looks at his hand” where “something shimmers” and “a blue lady is dancing just for him.”
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I can’t remember the first time I read A Child’s Life and Other Stories, but it would have been over 20 years ago. The book seared itself into my brain. The art spellbound me, the stories were set in the Bay Area where I had grown up, and the rage and pain of a young person who was neglected at home and acting out sexually and through drugs and alcohol was deeply familiar to me. I could say this book changed my life, but that sounds overdramatic and like a cliche. I will say that when I sat down to reread the book, I wondered if it would have the same effect on me all these years later. And it did. It makes me want to be braver and more reckless and more honest in my own work. And that’s invaluable. Thank you, Phoebe Gloeckner.
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Image credit: Nikola Tamindzic
Research shows that people who subscribe to my newsletter have more and better sex than people who don’t.
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The last adult theater in Los Angeles: Tiki Adult Theatre. For more of my photos, follow me on Instagram.
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What a curious ride Pretending Is Lying by Dominique Goblet is. A hazy graphic memoir. A disturbing accounting of childhood trauma and its consequences. A visual depiction of navigating life, relationships, and love that reels through time and place to land defiantly nowhere. I really liked it. Not for the unimaginative.
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Over on my newsletter, The Reverse Cowgirl, I’ve launched a new series: “I Went to …” In each installment, I’ll share my latest reporting adventure. First up: "I Went to a Nude Figure Drawing Class.” Make sure to subscribe.
In my newsletter, I wrote about Playboy magazine’s return to print as an annual. It was a pretty disappointing experience with a few exceptions. Find out what I liked and what I didn’t here and make sure to subscribe.
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Wow wow wow. Over Easy is so great! This book was such a delight, and I read it slower and slower as I neared completion because I didn’t want it to end. I’m a bit younger than author Mimi Pond, but I grew up in the East Bay so the people types and general places and all over vibe was very familiar to me. I appreciate that she focused on this important place and special time and fantastic cast of characters rather than feeling like she had to deliver up some sort of action-oriented plot. I loved this book. I’m sure I’ll read it again in the future.
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The New York Times Magazine has a fascinating story about ghosting written by Stella Tan and illustrated by Liana Finck. Nota bene: “But those who disappear on their paramours have their reasons for going silent.”
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A selection of art books for sale at an estate sale. For more of my L.A. photographs, follow me on Instagram.
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After Land is an extremely strange book by Chris Taylor. I loved it for the images. It’s haunting and weird and striking. The story is elusive and slippery. If you’re looking for something that’s different, this book is that.
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Image credit: Dina Litovsky
In this week’s edition of The Reverse Cowgirl Roundup: a dominatrix slips on her boxing gloves, a new board game posits players as strippers, a famous actress shares a secret about her private parts, and more.
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Thank you so much to The New York Public Library for making my memoir, Data Baby, a Book of the Day!
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I was really looking forward to reading this graphic novel adaptation of Cormac McCarthy’s The Road by Manu Larcenet, and I was equally disappointed. The book looks impressive: Hardback! Generously sized! Nicely printed! But the contents amount to a grim, underwhelming, forced march (ha!) through a hellscape that reduces McCarthy’s brilliant novel into snatches of dialogue that amount to nothing. Where is the literary-ness? Where is the lyricism? Where is the new thing ideally produced when a work is adapted into another form? Not here. I’m not fundamentally opposed to graphic adaptations of literary works—I loved Brad Ricca and Courtney Sieh’s artful adaptation of Nellie Bly’s Ten Days in a Mad-House—but this ain’t it.
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